精品推荐 —— 海兽葡萄镜

Premium Recommendation – Sea Beast Grape Mirror

*本次藏品：海兽葡萄镜*

典藏尺寸：重：887.2g直径：17cm

海兽葡萄镜是一种铜镜，这类铜镜在宋代的《博古图录》上称“海马葡萄镜”。在清代的《西清古鉴》上则称之为“海兽葡萄镜”。另外还有的称为禽兽葡萄镜、天马葡萄镜、瑞兽葡萄镜等名。

从考古资料来看，海兽葡萄镜使用范围非常广泛。唐代海兽葡萄镜在关内道、河南道、河东道、河东道、淮南道、岭南藤州均广泛使用，唐代海兽葡萄镜丝绸之路向西传入西域今中国新疆、今西亚伊朗等地。向东传入今日本、朝鲜等，向北传至蒙古、俄罗斯西伯利亚米鲁辛斯克等。

中国古代铜镜发展的历史有四千多年，先后经历了五个时期：早期（以齐家文化、商周铜镜为代表），流行期（以春秋战国铜镜为代表），鼎盛期（以汉代铜镜为代表），中衰期（以三国、晋、魏、南北朝铜镜为代表），繁荣期（以隋唐铜镜为代表），衰落期（以五代、十国、宋、金、元铜镜为代表）。唐代是我国铜镜发展史上最最辉煌的时期，是一个创新的时代。它摆脱了汉式镜的拘谨板滞，侧重于自由写实，其图纹从汉代铜镜的繁杂、拘谨、呆板，变得简练、流畅和清新，制作工艺也极为精细。既有艺术的魅力，又有与现实生活的和谐统一。飞禽走兽、植物花卉纹饰是这个时期铜镜装饰的主要题材。海兽葡萄镜是唐代铜镜最引人注目的镜类，它的纹饰图案充满了神秘色彩，被许多专家学者称之为“多谜之镜” 。

唐代海兽葡萄镜是中国铜镜艺术皇冠上一颗璀璨耀眼的明珠，是中国4000多年铜镜发展史上最具代表性的镜种之一，是无数铜镜收藏家、收藏爱好者追捧的对象，有着广泛的社会影响。

Sea beast grape mirror is a type of copper mirror, which was called "seahorse grape mirror" in the Song Dynasty's "Bogu Tu Lu". In the Qing Dynasty's "Xiqing Ancient Mirror", it was referred to as the "Sea Beast Grape Mirror". In addition, there are also names such as Beast Grape Mirror, Tianma Grape Mirror, and Rui Beast Grape Mirror.

According to archaeological data, the use of sea beast grape glasses is very extensive. The Tang Dynasty sea beast grape mirror was widely used in Guannei Road, Henan Road, Hedong Road, Hedong Road, Huainan Road, and Lingnan Tengzhou. The Tang Dynasty sea beast grape mirror was introduced westward through the Silk Road to the Western Regions, including present-day Xinjiang in China and present-day Iran in West Asia. It spread eastward to present-day Japan, Korea, etc., and northward to Mongolia, Russia, Siberia, Milusinsk, etc.

The history of the development of ancient Chinese bronze mirrors dates back over 4000 years and has gone through five periods: the early period (represented by the Qi family culture and Shang Zhou bronze mirrors), the popular period (represented by the Spring and Autumn period and Warring States period bronze mirrors), the peak period (represented by the Han Dynasty bronze mirrors), the middle decline period (represented by the bronze mirrors of the Three Kingdoms, Jin, Wei, and Southern and Northern Dynasties), the prosperous period (represented by the bronze mirrors of the Sui and Tang dynasties), and the decline period (represented by the bronze mirrors of the Five Dynasties, Ten Kingdoms, Song, Jin, and Yuan dynasties). The Tang Dynasty was the most glorious period in the history of the development of bronze mirrors in China, and it was an innovative era. It breaks free from the rigid and rigid style of Han style mirrors, focusing on free realism. Its patterns have become concise, smooth, and fresh from the complexity, restraint, and rigidity of Han Dynasty bronze mirrors, and its production process is also extremely refined. It has both the charm of art and the harmonious unity with real life. Birds, animals, plants, and floral patterns were the main themes of bronze mirror decoration during this period. The sea beast grape mirror is the most eye-catching type of bronze mirror in the Tang Dynasty. Its decorative patterns are full of mysterious colors and are called the "mirror of many mysteries" by many experts and scholars.

The Tang Dynasty sea beast grape mirror is a dazzling pearl on the crown of Chinese bronze mirror art. It is one of the most representative mirror types in the development history of Chinese bronze mirrors for more than 4000 years, and is sought after by countless bronze mirror collectors and enthusiasts, with a wide social influence.

*本次藏品：海兽葡萄镜*

典藏尺寸：重：887.2g直径：17cm

海兽葡萄镜在宋代《宣和博古图》中又称海马葡萄镜，《严窟藏镜》中又叫禽兽葡葡镜，还有人把它叫瑞兽葡萄镜，名称繁多，不一而足。更多的人还是称其海兽葡萄镜，这些称呼的共性是“葡萄”都在后面。典型的海兽葡萄镜的形制以高突棱为界分内外两区。内区为主纹饰区，以高浮雕工艺塑制大伏兽钮，配置数目不等的海兽(狻猊)，围兽钮而布局，或匍匐，或卧下，或跳跃，或嬉戏，地张均饰葡萄藤蔓纹。外区多为禽鸟、瑞兽穿绕葡萄藤蔓花枝图案。随着铜镜出土资料的日益丰富，各种纹饰类型的海兽葡萄镜陆续被发现，异彩纷呈，大大丰富了唐代海兽葡萄镜的文化内涵。

“海兽葡萄镜”之名出自清代梁诗正等奉敕纂修的《西清古鉴》，这个叫法为现代学者所广泛接受。另外一种常见叫法“海马葡萄镜”，出自宋代徽宗敕撰，王黼编纂的《宣和博古图》。鲁迅在《看镜有感》中也曾提到“海马葡萄镜”，可见民国时期仍有较多人受《宣和博古图》的影响。建国之后，渐渐的通称为“海兽葡萄镜”。另外，亦有少部分学者称之为“葡萄瑞兽镜”、“葡萄海兽镜”、“葡萄天马镜”、“葡萄鸾兽镜”、“瑞兽葡萄镜”。

海兽葡萄镜是唐代的物品。海兽葡萄镜是中国古代铜镜制作的最后一个高峰，再以后的铜镜没有比这个再好的了。一般最小的有几厘米的，最大的大概齐有三十多厘米的，不过十五厘米以上的，就算较少的，比较高档的了。它做工非常精细，材料非常考究，一般用高锡、青铜铸造而成的，外表感觉精美，它的锈色正宗，铸造也非常精致。

铜镜是我国古代人日常生活中梳装整容的实用品，已有四千多年的悠久历史，各朝各代均有制作。到了水银镜问世以后，逐渐停止了制作。

The Sea Beast Grape Mirror is also known as the Sea Horse Grape Mirror in the Song Dynasty's "Xuanhe Bogu Tu", the Animal Grape Mirror in the "Yanku Cangjing", and some people call it the Rui Beast Grape Mirror. There are many names, and there are many more. More people still refer to it as the sea beast grape mirror, and the commonality of these terms is that "grape" is always followed. The typical shape of a sea beast grape mirror is divided into two zones, inner and outer, with high ridges as the boundary. The main decorative area is the inner zone, which is made of high relief technology to shape large hidden beast buttons, with varying numbers of sea beasts (Suanni) arranged around the buttons, either crawling, lying down, jumping, or playing. The ground is decorated with grape vine patterns. The outer area is mostly adorned with patterns of birds and auspicious beasts weaving around grape vines and flower branches. With the increasing abundance of excavated materials from bronze mirrors, various types of sea beast grape mirrors with various decorative patterns have been discovered one after another, presenting a colorful and diverse array, greatly enriching the cultural connotation of Tang Dynasty sea beast grape mirrors.

The name "Sea Beast Grape Mirror" comes from the "Western Qing Ancient Mirror" compiled by Liang Shizheng and others in the Qing Dynasty, which is widely accepted by modern scholars. Another common name is "Haima Grape Mirror", which comes from the "Xuanhe Bogu Tu" compiled by Emperor Huizong of the Song Dynasty and edited by Wang Fu. Lu Xun also mentioned the "seahorse grape mirror" in his book "Reflections on the Mirror", indicating that many people were still influenced by the "Xuanhe Bo Gu Tu" during the Republic of China period. After the founding of the country, it gradually became commonly known as the "sea beast grape mirror". In addition, a small number of scholars also refer to it as the "Grape Auspicious Beast Mirror", "Grape Sea Beast Mirror", "Grape Tianma Mirror", "Grape Luan Beast Mirror", and "Auspicious Beast Grape Mirror".

The sea beast grape mirror is an item from the Tang Dynasty. The sea beast grape mirror is the last peak of ancient Chinese bronze mirror production, and there is no better bronze mirror in the future. Generally, the smallest ones are a few centimeters, while the largest ones are around thirty centimeters. However, those over fifteen centimeters are considered high-end, even if they are relatively small. It has very fine workmanship and exquisite materials, usually cast with high tin or bronze. Its appearance feels exquisite, and its rust color is authentic. The casting is also very delicate.

Copper mirrors were practical items used for grooming and cosmetic surgery in the daily lives of ancient Chinese people, with a long history of over four thousand years. They were made in various dynasties and generations. After the advent of mercury mirrors, production gradually ceased.

*本次藏品：海兽葡萄镜*

典藏尺寸：重：887.2g直径：17cm

以上藏品相关信息请与：四川君再来拍卖集团有限公司联系。

For information about the above collections, please contact: Sichuan Jun Zailai Auction Group Co.